Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 21
... sounds and meanings , in depth , that have too often been destroyed by the heavy hand of modernizing editors . " " In choosing those pointings in the Quarto that require emendation , I have made a few assumptions . First , the ...
... sounds and meanings , in depth , that have too often been destroyed by the heavy hand of modernizing editors . " " In choosing those pointings in the Quarto that require emendation , I have made a few assumptions . First , the ...
Seite 23
... sounds at the end of one word and the beginning of the next ) , syncope ( the elimination of a vowel sound in the interior of a word ) , anaptyxis ( the elimination of a vowel sound from within a consonant group ) , and the like ...
... sounds at the end of one word and the beginning of the next ) , syncope ( the elimination of a vowel sound in the interior of a word ) , anaptyxis ( the elimination of a vowel sound from within a consonant group ) , and the like ...
Seite 24
... sound false today were acceptable in 1609. " How- ever , he oversimplifies by stating , for example , that the rhyme of the common pair , prove / love , " apparently , was full in Shakespearean English , with a vowel between ' educated ...
... sound false today were acceptable in 1609. " How- ever , he oversimplifies by stating , for example , that the rhyme of the common pair , prove / love , " apparently , was full in Shakespearean English , with a vowel between ' educated ...
Seite 32
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Seite 38
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Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
393 | |
401 | |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM