Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 7
... Rhyme Glosses and Commentary Note on Reading the Text The Sonnets : With Textual Notes and Commentary 31 Appendix 1 : Editions Referenced 378 Appendix 2 : Emendations 380 Appendix 3 : Extant Copies of the 1609 Quarto 383 Bibliography ...
... Rhyme Glosses and Commentary Note on Reading the Text The Sonnets : With Textual Notes and Commentary 31 Appendix 1 : Editions Referenced 378 Appendix 2 : Emendations 380 Appendix 3 : Extant Copies of the 1609 Quarto 383 Bibliography ...
Seite 11
... rhyme scheme , which , however , went through many varia- tions . The length of a sonnet ( from the Italian " sonnetta " for " little song " ) was also variable until eventually settling into the favored fourteen - line standard of ...
... rhyme scheme , which , however , went through many varia- tions . The length of a sonnet ( from the Italian " sonnetta " for " little song " ) was also variable until eventually settling into the favored fourteen - line standard of ...
Seite 24
... Rhyme Kerrigan discusses rhyme extensively , relying on the work of Fausto Cercig- nani ( 1981 ) in preference to Kökeritz . It is obviously difficult to determine how words were pronounced four hundred years ago , but we have both ...
... Rhyme Kerrigan discusses rhyme extensively , relying on the work of Fausto Cercig- nani ( 1981 ) in preference to Kökeritz . It is obviously difficult to determine how words were pronounced four hundred years ago , but we have both ...
Seite 25
... rhymes are consistent . However , Kokeritz lists rhyme pairs in the plays that do not conform to a consistent pattern . Thus , " dignity " rhymes with " die " in Sonnet 94 , but with " he " in Cymbeline 5.4.53 ; " jollity " rhymes with ...
... rhymes are consistent . However , Kokeritz lists rhyme pairs in the plays that do not conform to a consistent pattern . Thus , " dignity " rhymes with " die " in Sonnet 94 , but with " he " in Cymbeline 5.4.53 ; " jollity " rhymes with ...
Seite 34
... rhyme pair , " field ... held " : " Rhymes founded upon the consonantal assonance , false rhymes to modern ears , are largely used in the sonnets , over 90 times in all . " Kerrigan , however , suggests that " the rhyme apparently ...
... rhyme pair , " field ... held " : " Rhymes founded upon the consonantal assonance , false rhymes to modern ears , are largely used in the sonnets , over 90 times in all . " Kerrigan , however , suggests that " the rhyme apparently ...
Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM