Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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... perhaps , but not sympathy . English sonneteers picked up this perspective , proclaiming " in chorus ... Go and do not likewise " ( Roche 195 ) . Also conventional was the use of the first person address , the poets writing as if they ...
... perhaps , but not sympathy . English sonneteers picked up this perspective , proclaiming " in chorus ... Go and do not likewise " ( Roche 195 ) . Also conventional was the use of the first person address , the poets writing as if they ...
Seite 12
... perhaps , The Sonnets were written for such an academy of Shakespeare's friends ( 5 ) . The autobiographical approach also leads to problems in understanding the order of The Sonnets . If we assume that they were written in sequence and ...
... perhaps , The Sonnets were written for such an academy of Shakespeare's friends ( 5 ) . The autobiographical approach also leads to problems in understanding the order of The Sonnets . If we assume that they were written in sequence and ...
Seite 19
... perhaps saved him trouble ; but would he insert them gratuitously for the fun of the thing ? " Gaskell ( 1972 , 339-40 ) suggests that the " normal rule " of bibliography would be for an editor to fol- low the accidentals ( punctuation ...
... perhaps saved him trouble ; but would he insert them gratuitously for the fun of the thing ? " Gaskell ( 1972 , 339-40 ) suggests that the " normal rule " of bibliography would be for an editor to fol- low the accidentals ( punctuation ...
Seite 20
... perhaps even more so than the punctuation in the orig- inal manuscript ( see Rousseau's complaint of 1755 against the failure to cor- rect his punctuation , cited in Gaskell [ 1972 , 339 ] ) . As Evans recognizes , even if compositorial ...
... perhaps even more so than the punctuation in the orig- inal manuscript ( see Rousseau's complaint of 1755 against the failure to cor- rect his punctuation , cited in Gaskell [ 1972 , 339 ] ) . As Evans recognizes , even if compositorial ...
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Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
393 | |
401 | |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM