Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 15
... nature of the relationships they specifically chronicle , the underlying emo- tions and concerns which they so beautifully express are those which may be felt by lovers of all kinds — adoration , longing , jealousy , disappointment ...
... nature of the relationships they specifically chronicle , the underlying emo- tions and concerns which they so beautifully express are those which may be felt by lovers of all kinds — adoration , longing , jealousy , disappointment ...
Seite 24
... nature asym- metrical — like human speech . " Later , in his chapter on The Sonnets , Wright notes ( 1988 , 78 ) that in comparison to Sidney , Shakespeare's meter " is more restrained and yet more flexible : it proceeds by way of small ...
... nature asym- metrical — like human speech . " Later , in his chapter on The Sonnets , Wright notes ( 1988 , 78 ) that in comparison to Sidney , Shakespeare's meter " is more restrained and yet more flexible : it proceeds by way of small ...
Seite 37
... nature calls thee to be What acceptable Audit can'ft thou leaue ? gone , Thy vnuf'd beauty must be tomb'd with thee , Which vsed liues th'executor to be . 1. spend , ] S - S . , Wils . , ed . spend The rest . 5. abuse , ] S - S . , Wils ...
... nature calls thee to be What acceptable Audit can'ft thou leaue ? gone , Thy vnuf'd beauty must be tomb'd with thee , Which vsed liues th'executor to be . 1. spend , ] S - S . , Wils . , ed . spend The rest . 5. abuse , ] S - S . , Wils ...
Seite 41
... nature's beauty , causing it to be ragged . " Although this is a common Shakespearean technique , the gloss from Schmidt ( 1874-75 ) seems better , equating ragged with rough . As the OED citations show , this is the common sense in ...
... nature's beauty , causing it to be ragged . " Although this is a common Shakespearean technique , the gloss from Schmidt ( 1874-75 ) seems better , equating ragged with rough . As the OED citations show , this is the common sense in ...
Seite 51
... nature hath not made for store , Harsh , featureleffe , and rude , barrenly perrish , Looke whom she best indow'd , fhe gaue the more ; Which bountious guift thou shouldft in bounty cherrish , She caru'd thee for her feale , and ment ...
... nature hath not made for store , Harsh , featureleffe , and rude , barrenly perrish , Looke whom she best indow'd , fhe gaue the more ; Which bountious guift thou shouldft in bounty cherrish , She caru'd thee for her feale , and ment ...
Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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Häufige Begriffe und Wortgruppen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM