Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
Im Buch
Ergebnisse 1-5 von 34
Seite 19
... marks as to other characters . Most modern editors presume that the punctuation in the Quarto was largely determined by the compositor ( Jackson 1975 ) . However , even if this were true , it does not necessarily follow that the ...
... marks as to other characters . Most modern editors presume that the punctuation in the Quarto was largely determined by the compositor ( Jackson 1975 ) . However , even if this were true , it does not necessarily follow that the ...
Seite 20
... marks make the sentence perfectly understandable , yet no modern writer would place them so . That last comma , after " danger , " is particularly foreign to the modern reader because the required by the sense is less than we would ...
... marks make the sentence perfectly understandable , yet no modern writer would place them so . That last comma , after " danger , " is particularly foreign to the modern reader because the required by the sense is less than we would ...
Seite 21
... mark for another , just as we see commonly with letters . Although the semicolon and comma were not in adjacent bins ... mark accidentally . There is little reason to think this error any less likely for punctuation marks than for ...
... mark for another , just as we see commonly with letters . Although the semicolon and comma were not in adjacent bins ... mark accidentally . There is little reason to think this error any less likely for punctuation marks than for ...
Seite 22
... mark the turned - up word , and then had no more room for the final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 ...
... mark the turned - up word , and then had no more room for the final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 ...
Seite 27
... marks do not appear in the Quarto since they were not used until the eighteenth century . Quoted speech must therefore be inferred from the context . The reader should be aware that the final -ed of past participles was generally ...
... marks do not appear in the Quarto since they were not used until the eighteenth century . Quoted speech must therefore be inferred from the context . The reader should be aware that the final -ed of past participles was generally ...
Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM