Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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... interpret and appreciate these glorious poems. Atkins synthesizes this work and brings his own perspective and freshness to the field, adding to the long tradition of quality scholarship in Shakespeare studies. (Continued on back flap) ...
... interpret and appreciate these glorious poems. Atkins synthesizes this work and brings his own perspective and freshness to the field, adding to the long tradition of quality scholarship in Shakespeare studies. (Continued on back flap) ...
Seite 23
... interpret a given line's meter differently . Degrees of stress are subjective and the difference between a spondee with some variation in stress between the two syllables and an iamb or a trochee may be quite slight . However , the ...
... interpret a given line's meter differently . Degrees of stress are subjective and the difference between a spondee with some variation in stress between the two syllables and an iamb or a trochee may be quite slight . However , the ...
Seite 26
... interpretation of The Sonnets , pass- ing over issues that are of little interest to modern scholars ( such as whether The Sonnets were written by someone other than Shakespeare ) and the mat- ters noted above under " Other Sonnet ...
... interpretation of The Sonnets , pass- ing over issues that are of little interest to modern scholars ( such as whether The Sonnets were written by someone other than Shakespeare ) and the mat- ters noted above under " Other Sonnet ...
Seite 28
... interpret Shakespearean punctuation . A comma in one sonnet may indicate a longer pause than a semicolon does in another . Similar pauses in two places may be indicated by a comma in one and no punctuation in the other . Both ...
... interpret Shakespearean punctuation . A comma in one sonnet may indicate a longer pause than a semicolon does in another . Similar pauses in two places may be indicated by a comma in one and no punctuation in the other . Both ...
Seite 38
... interpret " use " in line 7 to mean " lend at interest " or " invest , " but Tucker ( 1924 ) is surely right when he says " Not here ' invest ' ( since he does nothing of the kind ) , but = have the use of ( 9.12 ) , or use up . ' " 5 ...
... interpret " use " in line 7 to mean " lend at interest " or " invest , " but Tucker ( 1924 ) is surely right when he says " Not here ' invest ' ( since he does nothing of the kind ) , but = have the use of ( 9.12 ) , or use up . ' " 5 ...
Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM