Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 33
... better than old , warm better than cold . These shifts in tone are much more prominent than in Sonnet 1. They give a strong sense that the speaker of The Sonnets has moods , and give depth and feeling to his voice . The meter is mostly ...
... better than old , warm better than cold . These shifts in tone are much more prominent than in Sonnet 1. They give a strong sense that the speaker of The Sonnets has moods , and give depth and feeling to his voice . The meter is mostly ...
Seite 41
... better , equating ragged with rough . As the OED citations show , this is the common sense in regard to material things , as in the rough appearance of brick or stones . Perhaps it is this sense that Shakespeare is transferring ...
... better , equating ragged with rough . As the OED citations show , this is the common sense in regard to material things , as in the rough appearance of brick or stones . Perhaps it is this sense that Shakespeare is transferring ...
Seite 45
... better suggested by Richard II 5.5.42-43 [ TLN 2708-9 ] : " Ha , ha ? keepe time : how sowre sweet Musicke is , / When Time is broke , and no Pro- portion kept ? " One hears music sadly when it jars with reality . " > Booth also ...
... better suggested by Richard II 5.5.42-43 [ TLN 2708-9 ] : " Ha , ha ? keepe time : how sowre sweet Musicke is , / When Time is broke , and no Pro- portion kept ? " One hears music sadly when it jars with reality . " > Booth also ...
Seite 67
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Inhalt
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM