Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 24Gale Research Company, 1984 - 475 Seiten |
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Seite 39
... head - on . Neither is there any attempt to stage naturalistically scenes constructed on artifice . Talbot's meeting with his son is played for the impact of the couplets ; his death is unabashed poetry of a Marlovian texture , verging ...
... head - on . Neither is there any attempt to stage naturalistically scenes constructed on artifice . Talbot's meeting with his son is played for the impact of the couplets ; his death is unabashed poetry of a Marlovian texture , verging ...
Seite 372
... heads cut out in thin silver metal . A great bull's head dominates the first part of the play and protrudes like a carbuncle on the tunics of the courtiers . Within the short - hand of Farrah's brilliant designs the acting concentrates ...
... heads cut out in thin silver metal . A great bull's head dominates the first part of the play and protrudes like a carbuncle on the tunics of the courtiers . Within the short - hand of Farrah's brilliant designs the acting concentrates ...
Seite 376
... head in what looks like a crooked , low - hanging lamp shade . Judith Malina , as the Duchess of York , occupies a catego- ry of her own . Waving her arms , upstaging her fellow ac- tors and screeching like a Brooklyn - accented ...
... head in what looks like a crooked , low - hanging lamp shade . Judith Malina , as the Duchess of York , occupies a catego- ry of her own . Waving her arms , upstaging her fellow ac- tors and screeching like a Brooklyn - accented ...
Inhalt
Henry VIII | 64 |
King John | 159 |
Richard II | 254 |
Urheberrecht | |
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