Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 24Gale Research Company, 1984 - 475 Seiten |
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Seite 66
... drama on John Gielgud's Wolsey and Edith Evans's Katherine . Trevor Nunn's 1969 ROYAL SHAKESPEARE COMPANY production departed from traditional interpretations of the play in several respects . For example , he greatly re- duced the drama's ...
... drama on John Gielgud's Wolsey and Edith Evans's Katherine . Trevor Nunn's 1969 ROYAL SHAKESPEARE COMPANY production departed from traditional interpretations of the play in several respects . For example , he greatly re- duced the drama's ...
Seite 174
... drama 1763 ) and The Tempest ( opera 1756 , drama 1773 ) , and the very workmanlike versions of Antony and Cleopatra ( 1750 ) and Cymbeline ( 1761 ) . His business was to mount productions that would please his custom - bound but ...
... drama 1763 ) and The Tempest ( opera 1756 , drama 1773 ) , and the very workmanlike versions of Antony and Cleopatra ( 1750 ) and Cymbeline ( 1761 ) . His business was to mount productions that would please his custom - bound but ...
Seite 254
... drama contains some of the playwright's most superbly crafted and penetrating dialogue , but the poetry often ex- pands into extremely long passages that , ironically , have been known to overpower audiences and become tedious in ...
... drama contains some of the playwright's most superbly crafted and penetrating dialogue , but the poetry often ex- pands into extremely long passages that , ironically , have been known to overpower audiences and become tedious in ...
Inhalt
Henry VIII | 64 |
King John | 159 |
Richard II | 254 |
Urheberrecht | |
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