Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 149
... style of the Epilogue . Whether Shakespeare could imitate Kempe's style as easily as he could always imitate Marlowe's , or Kempe is speaking stark truth when , in the Epilogue , he claims that ' What I have to say , is of mine owne ...
... style of the Epilogue . Whether Shakespeare could imitate Kempe's style as easily as he could always imitate Marlowe's , or Kempe is speaking stark truth when , in the Epilogue , he claims that ' What I have to say , is of mine owne ...
Seite 230
... style of most of the film apart from the scenes in the French palace and the final return to the theatre set- ting . Here the style that predominates is apparently natu- ralistic , but it is actually something more than that : a kind of ...
... style of most of the film apart from the scenes in the French palace and the final return to the theatre set- ting . Here the style that predominates is apparently natu- ralistic , but it is actually something more than that : a kind of ...
Seite 455
... style of the production is reminiscent of Tony Richardson's The Changeling , also designed by Miss Herbert , earlier this year at the Royal Court - where both she and Mr. Gaskill have done most of their work . Perhaps the latest achieve ...
... style of the production is reminiscent of Tony Richardson's The Changeling , also designed by Miss Herbert , earlier this year at the Royal Court - where both she and Mr. Gaskill have done most of their work . Perhaps the latest achieve ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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