Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 45
... seems scarcely to enjoy Falstaff and rarely brings himself to bandy base comparisons with the rascal without introducing a covert threat . The Falstaff of Mr. Anthony Quayle is more than half aware that his standing with the Prince is ...
... seems scarcely to enjoy Falstaff and rarely brings himself to bandy base comparisons with the rascal without introducing a covert threat . The Falstaff of Mr. Anthony Quayle is more than half aware that his standing with the Prince is ...
Seite 159
... seems part of an intent to keep us from taking Glendower's magic seriously in the play and , rather , an in- tent to use the Welshman's reputation as a means of local- izing his inadequacy , an especially significant inadequacy when one ...
... seems part of an intent to keep us from taking Glendower's magic seriously in the play and , rather , an in- tent to use the Welshman's reputation as a means of local- izing his inadequacy , an especially significant inadequacy when one ...
Seite 214
... seems highly sat- isfying , visually , will come to seem too much like conven- tional illustration to be quite so happy ; and that a good deal of the casting , which now seems as nearly perfect as any I have ever seen in a film , and ...
... seems highly sat- isfying , visually , will come to seem too much like conven- tional illustration to be quite so happy ; and that a good deal of the casting , which now seems as nearly perfect as any I have ever seen in a film , and ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young