Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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... note , or per- haps , if they are very clever , half a dozen . So their parts are confined to these notes , often with the same result as in Mendelssohn's case . If you doubt me , go and see " Henry IV . " at the Haymarket . It is as ...
... note , or per- haps , if they are very clever , half a dozen . So their parts are confined to these notes , often with the same result as in Mendelssohn's case . If you doubt me , go and see " Henry IV . " at the Haymarket . It is as ...
Seite 190
... notes on stage direc- tions , stage directions , cast , production heads , and histori- cal notes to each act . It is this version that was used for the final promptbook . This final or souvenir promptbook , clean and corrected , is not ...
... notes on stage direc- tions , stage directions , cast , production heads , and histori- cal notes to each act . It is this version that was used for the final promptbook . This final or souvenir promptbook , clean and corrected , is not ...
Seite 420
... notes of both gold and silver , so to speak . One might compare him to a baritone who can reach the tenor's high notes , when necessary . Though at moments when on these high notes , there is sometimes uncertainty ( at times he would ...
... notes of both gold and silver , so to speak . One might compare him to a baritone who can reach the tenor's high notes , when necessary . Though at moments when on these high notes , there is sometimes uncertainty ( at times he would ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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