Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 95
... mind is this preoccupation with trying to teach the boy to become a king . So Hal is always in his mind . I think this is one of the effective strokes of this production . It has Hal onstage at the time I'm saying this about my son and ...
... mind is this preoccupation with trying to teach the boy to become a king . So Hal is always in his mind . I think this is one of the effective strokes of this production . It has Hal onstage at the time I'm saying this about my son and ...
Seite 379
... mind seems to have been exercised in the portraiture , and we should think that none but a man of kindred intellect could give an adequate image of such a model . This , how- ever , Mr. KEAN has done . He had not been on the stage two ...
... mind seems to have been exercised in the portraiture , and we should think that none but a man of kindred intellect could give an adequate image of such a model . This , how- ever , Mr. KEAN has done . He had not been on the stage two ...
Seite 416
... mind . When the brains are out a part should die , and there an end . Not so here : in this play it seems possible to ruffle only the surface of the character and yet to give a performance that will somehow slip through - a strutting ...
... mind . When the brains are out a part should die , and there an end . Not so here : in this play it seems possible to ruffle only the surface of the character and yet to give a performance that will somehow slip through - a strutting ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young