Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 42
... become . We have to feel- this is the point - that when it comes to the duel , we want Hal , not Harry , to win ; and yet we mustn't , of course , feel for Harry Hotspur less than admiration . In this production it was a triumph alike ...
... become . We have to feel- this is the point - that when it comes to the duel , we want Hal , not Harry , to win ; and yet we mustn't , of course , feel for Harry Hotspur less than admiration . In this production it was a triumph alike ...
Seite 110
... become addicted to sack while lives are being lost on the battleground . Appropriately for Nunn's conception there is more of the medieval Vice in this Falstaff and less of the lovable rogue . From the begin- ning his character reveals ...
... become addicted to sack while lives are being lost on the battleground . Appropriately for Nunn's conception there is more of the medieval Vice in this Falstaff and less of the lovable rogue . From the begin- ning his character reveals ...
Seite 162
... become a weapon in his battle and hence lose some of its pure appeal . Just because of his comic exuberance , he becomes a darker character altogether . An alternative reading has been to exploit to the full Fal- staff's inimitable ...
... become a weapon in his battle and hence lose some of its pure appeal . Just because of his comic exuberance , he becomes a darker character altogether . An alternative reading has been to exploit to the full Fal- staff's inimitable ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young