Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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... York . The set became less a formal framework for action than a space of apparently infinite extension and possibility into which any action fitted natu- rally . True , in Richard II , where there is least scope for diversity , the ...
... York . The set became less a formal framework for action than a space of apparently infinite extension and possibility into which any action fitted natu- rally . True , in Richard II , where there is least scope for diversity , the ...
Seite 528
... York approach , Margaret speaks , " Withdraw thee , wretched Margaret " [ 1. 8 ] . In the next 30 lines , Queen Elizabeth and the Duchess of York mourn and Margaret comments from a distance on their speeches . On line 39 some editors ...
... York approach , Margaret speaks , " Withdraw thee , wretched Margaret " [ 1. 8 ] . In the next 30 lines , Queen Elizabeth and the Duchess of York mourn and Margaret comments from a distance on their speeches . On line 39 some editors ...
Seite 544
... York's Servants , respectively . As these were the only two such licenses granted , Killigrew's Theatre Royal in Bridges Street and Davenant's LIN- COLN'S INN FIELDS THEATRE together formed a long standing monopoly on theatrical perfor ...
... York's Servants , respectively . As these were the only two such licenses granted , Killigrew's Theatre Royal in Bridges Street and Davenant's LIN- COLN'S INN FIELDS THEATRE together formed a long standing monopoly on theatrical perfor ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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