The Aesthetics of Artifice: Villiers's L'Eve FutureU.N.C. Department of Romance Languages, 1996 - 148 Seiten |
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Seite 30
... scene of the crime , he is confronted by the following sight , " The remains of the half- finished creature , whom I had destroyed , lay scattered on the floor , and I almost felt as if I had mangled the living flesh of a human being ...
... scene of the crime , he is confronted by the following sight , " The remains of the half- finished creature , whom I had destroyed , lay scattered on the floor , and I almost felt as if I had mangled the living flesh of a human being ...
Seite 117
... scene , " Charcot as- sumed the role of scenographer or set director of the scene before his eyes ( see Didi - Huberman 133 ) . Charcot thus integrates , in his relationship to hysteria , the arts that come into play in L'Eve future ...
... scene , " Charcot as- sumed the role of scenographer or set director of the scene before his eyes ( see Didi - Huberman 133 ) . Charcot thus integrates , in his relationship to hysteria , the arts that come into play in L'Eve future ...
Seite 141
... scene - no one ( not even replicants ) stands in the room , all the viewer sees are bits and pieces of technology's prowess , an artificial arm and an ob- scured female android , as Deckard further fragments the image with his machine ...
... scene - no one ( not even replicants ) stands in the room , all the viewer sees are bits and pieces of technology's prowess , an artificial arm and an ob- scured female android , as Deckard further fragments the image with his machine ...
Inhalt
Tekhné State of the Art and LEve future by John Anza | 9 |
ACKNOWLEDGMENTS | 17 |
Representational Texts | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Albert Londe android animated artificial artist aura Barthes's Baudelaire Baudelaire's beauty bibelot Blade Runner camera century Charcot cinema construction copy critics Cros's cure death Deckard Delusions and Dreams discourse Edison essay Evelyn Habal fabrication female body fetish fictional film fin de siècle foot fragment Frankenstein Freud future's Gautier gender Gortz Gradiva Hadaly Hadaly's Hanold hypnosis hypnotic hysteria hysteric hysteric's ical ideal feminine ison L'Eve future limb literary literature Lord Ewald machine male maternal mechanical modern monstrous Moses Moses's mother museum narrator nature nineteenth nineteenth-century novel object original painting paralysis Paris photograph photography photosculpture Pompeii pose privileged projected psychoanalysis reading replaced representation of woman represents reproduction Roman ROMANCE LANGUAGES Salpêtrière scene scientist screen sculpted sculpture sexual significant Sowana spectator statue Stilla stone symptoms Technophilia tion Trans trompe-l'oeil ture veil Venus de Milo Villiers Villiers's voice Whereas women