The Aesthetics of Artifice: Villiers's L'Eve FutureU.N.C. Department of Romance Languages, 1996 - 148 Seiten |
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Seite 21
... characters : Axël , Sergius d'Albamah of Le Préten- dant , and Ewald , to name but a few . Yet when Villiers chose to cre- ate a completely artificial character who would be the consummate embodiment of these qualities he decided upon a ...
... characters : Axël , Sergius d'Albamah of Le Préten- dant , and Ewald , to name but a few . Yet when Villiers chose to cre- ate a completely artificial character who would be the consummate embodiment of these qualities he decided upon a ...
Seite 34
... character " ( 37 , trans . mine ) . Yet Vernian machines do not for the most part take on human form , as Compère has remarked ( 91 ) . Le Château des Carpathes ( The Carpathian Castle ) ( 1892 ) is an excep- tion ; in this text , the ...
... character " ( 37 , trans . mine ) . Yet Vernian machines do not for the most part take on human form , as Compère has remarked ( 91 ) . Le Château des Carpathes ( The Carpathian Castle ) ( 1892 ) is an excep- tion ; in this text , the ...
Seite 76
... character of the novel , the artificial feminine , is introduced : By accident , the paper [ Ewald's telegram ] dropped on an object of a striking and remarkable character – an object whose very presence in such a place was inexplicable ...
... character of the novel , the artificial feminine , is introduced : By accident , the paper [ Ewald's telegram ] dropped on an object of a striking and remarkable character – an object whose very presence in such a place was inexplicable ...
Inhalt
Tekhné State of the Art and LEve future by John Anza | 9 |
ACKNOWLEDGMENTS | 17 |
Representational Texts | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Albert Londe android animated artificial artist aura Barthes's Baudelaire Baudelaire's beauty bibelot Blade Runner camera century Charcot cinema construction copy critics Cros's cure death Deckard Delusions and Dreams discourse Edison essay Evelyn Habal fabrication female body fetish fictional film fin de siècle foot fragment Frankenstein Freud future's Gautier gender Gortz Gradiva Hadaly Hadaly's Hanold hypnosis hypnotic hysteria hysteric hysteric's ical ideal feminine ison L'Eve future limb literary literature Lord Ewald machine male maternal mechanical modern monstrous Moses Moses's mother museum narrator nature nineteenth nineteenth-century novel object original painting paralysis Paris photograph photography photosculpture Pompeii pose privileged projected psychoanalysis reading replaced representation of woman represents reproduction Roman ROMANCE LANGUAGES Salpêtrière scene scientist screen sculpted sculpture sexual significant Sowana spectator statue Stilla stone symptoms Technophilia tion Trans trompe-l'oeil ture veil Venus de Milo Villiers Villiers's voice Whereas women