Seven Types of AmbiguityChatto and Windus, 1930 - 325 Seiten |
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Seite 40
... rhythm is chiefly useful as a means of insisting upon , and then limiting , the possible implications ; and though I may seem to be ignoring the rhythm through most of this book , I shall always be using it , so to speak , among the ...
... rhythm is chiefly useful as a means of insisting upon , and then limiting , the possible implications ; and though I may seem to be ignoring the rhythm through most of this book , I shall always be using it , so to speak , among the ...
Seite 43
... rhythm can ignore . To show the scale of his rhythm , it may be enough to list some of the ways in which he gave movement to the stanza of the Faerie Queene ; it is by the delicacy of this movement that he shows his attitude towards his ...
... rhythm can ignore . To show the scale of his rhythm , it may be enough to list some of the ways in which he gave movement to the stanza of the Faerie Queene ; it is by the delicacy of this movement that he shows his attitude towards his ...
Seite 50
... rhythm , and shall mention its rhythm only to remark that it is magnificent ; my point is that one can best illustrate its rhythm by showing the cumulative way it uses its words . But more generally , one may say , the poem is a sort of ...
... rhythm , and shall mention its rhythm only to remark that it is magnificent ; my point is that one can best illustrate its rhythm by showing the cumulative way it uses its words . But more generally , one may say , the poem is a sort of ...
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adjective already analysis apprehension beauty Chaucer comparison conceived Conchubor connected conscious consider contradiction convey couplet course Crashaw critic death Deirdre device doubt dramatic irony effect Elizabethan English English language example eyes fact fall feeling generalisation give grammar grief Heaven heroic couplet human idea implied insist interest irony irrelevant judgment language less Lord G Macbeth matter Measure for Measure merely metaphor metaphysical poets mind mode mood Naisi nature night normal notion noun once one's onomatopoeia opposite Othello Pandarus particular Pathetic Fallacy perhaps phrase poem poet poetical poetry Pope praise puns Pure Sound quatrain reader reasons rhythm Robert Graves seaze seems sense sensible sentence Shakespeare situation Sonnet sort statement suggestion synæsthesia syntax tautology tears thee things third type thou thought tion trying type of ambiguity variety verb verbal verse weep whole word