Speaking ShakespeareMethuen, 2002 - 355 Seiten This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Ergebnisse 1-3 von 76
Seite 23
... scene progresses that physical height- ening would intensify . Firstly , her mother seems to want to talk to her alone - unusual . Then she tells her to think of marrying . In this scene , Juliet starts to transform from a girl into a ...
... scene progresses that physical height- ening would intensify . Firstly , her mother seems to want to talk to her alone - unusual . Then she tells her to think of marrying . In this scene , Juliet starts to transform from a girl into a ...
Seite 120
... scenes . Each scene links in some way to the next . This means that actors have a responsibility to start each scene with bridging energy . The connections between lines , thoughts , speeches and scenes are so crucial to the building of ...
... scenes . Each scene links in some way to the next . This means that actors have a responsibility to start each scene with bridging energy . The connections between lines , thoughts , speeches and scenes are so crucial to the building of ...
Seite 305
... scene is also about the breakdown of the marriage . Lady Macbeth , although active in the plotting of the murder , has not been present at its performance . Macbeth is thus more heightened in mind and language than she is , and reaches ...
... scene is also about the breakdown of the marriage . Lady Macbeth , although active in the plotting of the murder , has not been present at its performance . Macbeth is thus more heightened in mind and language than she is , and reaches ...
Inhalt
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Urheberrecht | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word