Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 11
... words and meaning alike . Yet this is nothing to the truths he gets from Goneril and then from Regan when they are in posses- sion and no longer need trouble to flatter him . When Goneril " breeds occasions " to dismiss her fa- ther and ...
... words and meaning alike . Yet this is nothing to the truths he gets from Goneril and then from Regan when they are in posses- sion and no longer need trouble to flatter him . When Goneril " breeds occasions " to dismiss her fa- ther and ...
Seite 22
... words , performing in human history the very acts of verbal conquest that have brought Rich- ard temporarily to the throne . But the divine surro- gate , the Earl of Richmond , is lackluster . His victory implies the triumph of virtue ...
... words , performing in human history the very acts of verbal conquest that have brought Rich- ard temporarily to the throne . But the divine surro- gate , the Earl of Richmond , is lackluster . His victory implies the triumph of virtue ...
Seite 55
... words as well , as they are frequently used in Othello ( italics mine on key words ) : Bra . Fathers , from hence trust not your daughters ' minds By what you see them act . Duke . [ To Othello ] ( I , i , 171-72 ) ( I , iii , 74 ) What ...
... words as well , as they are frequently used in Othello ( italics mine on key words ) : Bra . Fathers , from hence trust not your daughters ' minds By what you see them act . Duke . [ To Othello ] ( I , i , 171-72 ) ( I , iii , 74 ) What ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York