Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 139
... Theme and Character ( New York , Columbia University Press , 1956 ) , p . 159 : " It is inter- esting that Shakespeare seems to have anticipated the problem of sexual infatuation as a tragic theme by actually posing the question as a theme ...
... Theme and Character ( New York , Columbia University Press , 1956 ) , p . 159 : " It is inter- esting that Shakespeare seems to have anticipated the problem of sexual infatuation as a tragic theme by actually posing the question as a theme ...
Seite 222
... theme , and he suggests that the marriage of the Princess Elizabeth with a Protestant hero might have been a suitable occasion for the revival of Tudor - British themes as applied to the Stuarts . " 3 Ber- nard Harris's essay may be ...
... theme , and he suggests that the marriage of the Princess Elizabeth with a Protestant hero might have been a suitable occasion for the revival of Tudor - British themes as applied to the Stuarts . " 3 Ber- nard Harris's essay may be ...
Seite 277
... theme in the play . ' Golding's translation ( note 1 above ) , III , 227-30 , 292-3 , 301-2 . ' There are , to be sure , several reasons why Iachimo is spared the fate of Tarquin , Tereus , and Actaeon : he does not rape Imogen ; she is ...
... theme in the play . ' Golding's translation ( note 1 above ) , III , 227-30 , 292-3 , 301-2 . ' There are , to be sure , several reasons why Iachimo is spared the fate of Tarquin , Tereus , and Actaeon : he does not rape Imogen ; she is ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York