Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 91
... suggests that Antony leaves for political reasons and as a matter of honor . 7 Responses range from clear - cut condemnations to clear - cut vindications on this issue . MacCallum believes she is betraying Antony and also enjoying this ...
... suggests that Antony leaves for political reasons and as a matter of honor . 7 Responses range from clear - cut condemnations to clear - cut vindications on this issue . MacCallum believes she is betraying Antony and also enjoying this ...
Seite 92
... suggests any other possible betrayer ; no one suggests that the fleet went over to Caesar spontaneously or of its own ac- cord . Alternatives to Cleopatra as traitor simply are not given by the critics , although they are almost ...
... suggests any other possible betrayer ; no one suggests that the fleet went over to Caesar spontaneously or of its own ac- cord . Alternatives to Cleopatra as traitor simply are not given by the critics , although they are almost ...
Seite 95
... suggests that this effect is one of the chief virtues of the play . Whitaker thinks that the short scenes are a flaw ; he is , as usual , revealing in his condemnation . According to him , Antony and Cleopatra reverts to an episodic ...
... suggests that this effect is one of the chief virtues of the play . Whitaker thinks that the short scenes are a flaw ; he is , as usual , revealing in his condemnation . According to him , Antony and Cleopatra reverts to an episodic ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York