Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... seems especially concerned with the ways in which all political action is subject to and limited by the ambiguities of a defective linguistic medium . Language is decayed because man is fallen- the Babel effect and ambiguous rhetorical ...
... seems especially concerned with the ways in which all political action is subject to and limited by the ambiguities of a defective linguistic medium . Language is decayed because man is fallen- the Babel effect and ambiguous rhetorical ...
Seite 143
... seems to register the deep play of Antony and Cleopatra . As Antony's peerless " space " with- ers , his " visible shape " endures ( IV.xiv.14 ) . Antony is momentarily suspended between legendary great- ness and its tragic acting , his ...
... seems to register the deep play of Antony and Cleopatra . As Antony's peerless " space " with- ers , his " visible shape " endures ( IV.xiv.14 ) . Antony is momentarily suspended between legendary great- ness and its tragic acting , his ...
Seite 144
... seems both to inform and to stand apart from his " character , " and our task is to enable this double perspective to become part of our play , rather than a necessary failure of art , the falling short it may other- wise seem to be ...
... seems both to inform and to stand apart from his " character , " and our task is to enable this double perspective to become part of our play , rather than a necessary failure of art , the falling short it may other- wise seem to be ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York