Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 213
... reading as preparation for bed . For three hours she has been reading in Ovid's Metamorpho- sis , and has her woman Helen " f ] old down the leaf where [ she has ] left " ( II . ii . 4 ) . Her prayer before sleep " To your protection I ...
... reading as preparation for bed . For three hours she has been reading in Ovid's Metamorpho- sis , and has her woman Helen " f ] old down the leaf where [ she has ] left " ( II . ii . 4 ) . Her prayer before sleep " To your protection I ...
Seite 241
... reading is , however , too hasty . Banishing writing and reading because they can deceive is as silly as Cymbeline's banishment of Belar- ius and Posthumus because he cannot totally control or trust them . If Shakespeare had shared her ...
... reading is , however , too hasty . Banishing writing and reading because they can deceive is as silly as Cymbeline's banishment of Belar- ius and Posthumus because he cannot totally control or trust them . If Shakespeare had shared her ...
Seite 244
... Reading a character in a play is different from reading a character in life . The world is not a stage . Uncon- nected to the world in any constative sense , the play becomes merely an entertaining performance . Thus , the final ...
... Reading a character in a play is different from reading a character in life . The world is not a stage . Uncon- nected to the world in any constative sense , the play becomes merely an entertaining performance . Thus , the final ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York