Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 118
... queen's " infinite vari- ety , " as they portray it , applies interchangeably to her sexual appeal and to her role - playing , and is clearly antithetical to the Roman myth of a stable and unified male subject . From the opening scene ...
... queen's " infinite vari- ety , " as they portray it , applies interchangeably to her sexual appeal and to her role - playing , and is clearly antithetical to the Roman myth of a stable and unified male subject . From the opening scene ...
Seite 209
... queen , but that he was right in putting his trust in unadorned physi- cal prowess , un - Roman , un - knighted British strength , the " natural bravery of [ the ] isle " ( III . i . 19 ) , which made " Britons strut with courage ...
... queen , but that he was right in putting his trust in unadorned physi- cal prowess , un - Roman , un - knighted British strength , the " natural bravery of [ the ] isle " ( III . i . 19 ) , which made " Britons strut with courage ...
Seite 270
... Queen Amata to the marriage and concord that will finally produce the line of Rome as second . Troy , is to establish the power of a discordant queen over a reigning king . Amata's power over her husband is matched in Cymbeline by the ...
... Queen Amata to the marriage and concord that will finally produce the line of Rome as second . Troy , is to establish the power of a discordant queen over a reigning king . Amata's power over her husband is matched in Cymbeline by the ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York