Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 144
... performance will provide for the audience . But by allowing the text of " character " derived from Antony's history to determine his read- ing of the performance he observes , Philo sidesteps the challenge of " theatrical perception ...
... performance will provide for the audience . But by allowing the text of " character " derived from Antony's history to determine his read- ing of the performance he observes , Philo sidesteps the challenge of " theatrical perception ...
Seite 146
... performance and the narrative " abstract " of character . Only when the actor's " long day's task is done " ( IV.xiv.35 ) , when he has no more acts to perform , can Antony's " character " be returned to the narrative forms of ...
... performance and the narrative " abstract " of character . Only when the actor's " long day's task is done " ( IV.xiv.35 ) , when he has no more acts to perform , can Antony's " character " be returned to the narrative forms of ...
Seite 147
Michelle Lee. that its historicity is irrelevant . What is recalled are earlier performances : history not being what happened but what is encoded and transmitted . Performance is not merely a selection from data arranged and interpreted ...
Michelle Lee. that its historicity is irrelevant . What is recalled are earlier performances : history not being what happened but what is encoded and transmitted . Performance is not merely a selection from data arranged and interpreted ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York