Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 28
... marriage , only that they are married . Their relationship is undermined because Imogen mistakes the beheaded Cloten in Posthumus's clothes for Posthumus and because Posthumus , failing to recognize Imogen in disguise , prefaces their ...
... marriage , only that they are married . Their relationship is undermined because Imogen mistakes the beheaded Cloten in Posthumus's clothes for Posthumus and because Posthumus , failing to recognize Imogen in disguise , prefaces their ...
Seite 76
... marriage . The marriage between Antony and Octavia in Act II had been a marriage of conve- nience , another example of the Romans knowing how to seize opportunities and bend them to their will . Yet it had been weighted with moral ...
... marriage . The marriage between Antony and Octavia in Act II had been a marriage of conve- nience , another example of the Romans knowing how to seize opportunities and bend them to their will . Yet it had been weighted with moral ...
Seite 178
... marriage is but an opportunistic device : To hold you in perpetual amity , To make you brothers , and to knit your hearts With an unslipping knot , take Antony Octavia to his wife . . . . By this marriage , All little jealousies , which ...
... marriage is but an opportunistic device : To hold you in perpetual amity , To make you brothers , and to knit your hearts With an unslipping knot , take Antony Octavia to his wife . . . . By this marriage , All little jealousies , which ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York