Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... line ending into a longer speech . One of her most audacious tactics is the attempt to stop the interview by rhyming " slaughter " with " daughter " ( 210-11 ) , as if her lines were the tag announcing the end of a scene . Elizabeth's ...
... line ending into a longer speech . One of her most audacious tactics is the attempt to stop the interview by rhyming " slaughter " with " daughter " ( 210-11 ) , as if her lines were the tag announcing the end of a scene . Elizabeth's ...
Seite 58
... lines in length , and in the course of its approximately 24 minutes playing time Othello is transformed from a doting newly - wed husband to a raving maniac whose one aim and obsession is the immediate murder of his wife . Speaking of a ...
... lines in length , and in the course of its approximately 24 minutes playing time Othello is transformed from a doting newly - wed husband to a raving maniac whose one aim and obsession is the immediate murder of his wife . Speaking of a ...
Seite 80
... lines later , " What does he mean ? " Enobarbus then asks Antony directly : " What mean you , sir , / To give them this discomfort ? " ( lines 33-34 ) . Antony immediately denies that he meant his words as Enobarbus and the servants ...
... lines later , " What does he mean ? " Enobarbus then asks Antony directly : " What mean you , sir , / To give them this discomfort ? " ( lines 33-34 ) . Antony immediately denies that he meant his words as Enobarbus and the servants ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York