Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 118
... honor . This scene prefigures the continuing Roman impulse to defend themselves against Cleopatra's repertoire of charms . Even as they devalue her " playfulness , " they often recognize its appeal to their senses and feelings- a ...
... honor . This scene prefigures the continuing Roman impulse to defend themselves against Cleopatra's repertoire of charms . Even as they devalue her " playfulness , " they often recognize its appeal to their senses and feelings- a ...
Seite 177
... honor and his lies about her future , however , his behavior is governed by the imag- ined spectacle of Cleopatra as ... honor . " The Ro- man discourse of honor , here , as elsewhere in the play , clashes with the dishonorable acts that ...
... honor and his lies about her future , however , his behavior is governed by the imag- ined spectacle of Cleopatra as ... honor . " The Ro- man discourse of honor , here , as elsewhere in the play , clashes with the dishonorable acts that ...
Seite 178
... honor as he packs Octavia off to Rome , " If I lose mine honor / I lose myself " ( 3.4.22-23 ) , even as he is later capable of berating Cleopatra for having seduced him from a marriage that he never honored : Have I my pillow left ...
... honor as he packs Octavia off to Rome , " If I lose mine honor / I lose myself " ( 3.4.22-23 ) , even as he is later capable of berating Cleopatra for having seduced him from a marriage that he never honored : Have I my pillow left ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York