Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 64
... hero . Indeed , it is he who is now described with all the trappings of a hero , the beaver , the cushes , and essentially the horse , that mythical adjunct to the knight - at - arms ; all that is , except one , the reference to Mars ...
... hero . Indeed , it is he who is now described with all the trappings of a hero , the beaver , the cushes , and essentially the horse , that mythical adjunct to the knight - at - arms ; all that is , except one , the reference to Mars ...
Seite 161
... hero's identity by eating a piece of his body , but rather through the imaginative process of identification with him . The identity of the hero , and the role in it of other people's identification with him , is a recurrent subject of ...
... hero's identity by eating a piece of his body , but rather through the imaginative process of identification with him . The identity of the hero , and the role in it of other people's identification with him , is a recurrent subject of ...
Seite 284
... hero subsequently vanquishes the villain in combat and forces him to confess . The play has defined belief in the false accusation as deep sin indeed , and only a celestial vision has enabled the sinner to become un- deceived , to ...
... hero subsequently vanquishes the villain in combat and forces him to confess . The play has defined belief in the false accusation as deep sin indeed , and only a celestial vision has enabled the sinner to become un- deceived , to ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York