Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 370
... figure of Carnival , maintained the spirit of Carnival fun in the midst of Lent . Likewise , the his- tory of this folk figure is a paradigm of how the parodic critique of the folk holiday assumed the function of satire in the workaday ...
... figure of Carnival , maintained the spirit of Carnival fun in the midst of Lent . Likewise , the his- tory of this folk figure is a paradigm of how the parodic critique of the folk holiday assumed the function of satire in the workaday ...
Seite 385
... figure 6 : 37 , 51 , 71 , 92 , 94 , 178 , 192 ; 27 : 110 ; 47 : 71 , 174 , 192 , as tragic heroine 6 : 53 , 120 , 151 , 192 , 208 ; 27 : 144 as voluptuary or courtesan 6 : 21 , 22 , 25 , 41 , 43 , 52 , 53 , 62 , 64 , 67 , 76 , 146 , 161 ...
... figure 6 : 37 , 51 , 71 , 92 , 94 , 178 , 192 ; 27 : 110 ; 47 : 71 , 174 , 192 , as tragic heroine 6 : 53 , 120 , 151 , 192 , 208 ; 27 : 144 as voluptuary or courtesan 6 : 21 , 22 , 25 , 41 , 43 , 52 , 53 , 62 , 64 , 67 , 76 , 146 , 161 ...
Seite 386
... figure 23 : 314 , 317 , 347 ; 33 : 85 characterization 2 : 388 , 395 , 402 , 406 , 411 , 421 , 429 , 456 , 466 , 470 , 498 , 511 ; 13 : 84 , 94 , 104 ; 23 : 363 , 416 ; 32 : 81 ; 42 : 1 ; 44 : 89 as dramatic failure 2 : 420 , 429 , 441 ...
... figure 23 : 314 , 317 , 347 ; 33 : 85 characterization 2 : 388 , 395 , 402 , 406 , 411 , 421 , 429 , 456 , 466 , 470 , 498 , 511 ; 13 : 84 , 94 , 104 ; 23 : 363 , 416 ; 32 : 81 ; 42 : 1 ; 44 : 89 as dramatic failure 2 : 420 , 429 , 441 ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York