Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 238
... father who rules over those who have inherited or adopted his name . In the political sphere , power rests with the king who passes his power down through the male line of the royal family . That Shakespeare should question this patriar ...
... father who rules over those who have inherited or adopted his name . In the political sphere , power rests with the king who passes his power down through the male line of the royal family . That Shakespeare should question this patriar ...
Seite 241
... father's on the basis of a letter ( I.i. 97-99 ) . Posthumus has no other way to prove his identity . Yet the friend's accep- tance of him requires an act of faith because of the absence of father and writer . This absence always sub ...
... father's on the basis of a letter ( I.i. 97-99 ) . Posthumus has no other way to prove his identity . Yet the friend's accep- tance of him requires an act of faith because of the absence of father and writer . This absence always sub ...
Seite 349
... father's deathbed , in premature pos- session of the crown , his defense takes the form of a dialogue with the object : Thinking you dead , And dead almost , my liege , to think you were , I spake unto this crown as having sense , And ...
... father's deathbed , in premature pos- session of the crown , his defense takes the form of a dialogue with the object : Thinking you dead , And dead almost , my liege , to think you were , I spake unto this crown as having sense , And ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York