Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 81
Seite 7
... fact is that his lines to Hotspur and Falstaff register the differences between the two modes of death , the realistic and the theatri- cal , and mark Hal as the one character who can come to terms with both . He responds to Hotspur's ...
... fact is that his lines to Hotspur and Falstaff register the differences between the two modes of death , the realistic and the theatri- cal , and mark Hal as the one character who can come to terms with both . He responds to Hotspur's ...
Seite 43
... fact that during the entire sleepwalking sequence her eyes remain open . The equating of illusion with the extinction of light which is in turn equated with the destruction of reason is signified in terms of darkness generally in ...
... fact that during the entire sleepwalking sequence her eyes remain open . The equating of illusion with the extinction of light which is in turn equated with the destruction of reason is signified in terms of darkness generally in ...
Seite 290
... fact and fiction . Iachimo's portrait literally provides the " ground " for Posthumus's - Iachimo may even speak from the back of the stage , while Posthumus moves down front to deliver his soliloquy . Thus , Iachimo's carefully ...
... fact and fiction . Iachimo's portrait literally provides the " ground " for Posthumus's - Iachimo may even speak from the back of the stage , while Posthumus moves down front to deliver his soliloquy . Thus , Iachimo's carefully ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York