Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 83
... dramatic structure of the play . In one sense , the experience of Antony and Cleopatra is curiously indirect : the play consists of a few actions and almost endless discussion of them.24 Antony is the presumptive hero of the play ; when ...
... dramatic structure of the play . In one sense , the experience of Antony and Cleopatra is curiously indirect : the play consists of a few actions and almost endless discussion of them.24 Antony is the presumptive hero of the play ; when ...
Seite 304
... dramatic alternative both to tragedy and to comedy : to the former because the play's prayers direct action without subduing it and to the latter because devoid of authority they cannot initiate unauthorized patterns of enactment . In ...
... dramatic alternative both to tragedy and to comedy : to the former because the play's prayers direct action without subduing it and to the latter because devoid of authority they cannot initiate unauthorized patterns of enactment . In ...
Seite 435
... dramatic elements Sonnets 10 : 155 , 182 , 240 , 251 , 283 , 367 Venus and Adonis 10 : 459 , 462 , 486 dramatic shortcomings or failure As You Like It 5 : 19 , 42 , 52 , 61 , 65 Love's Labour's Lost 2 : 299 , 301 , 303 , 322 Romeo and ...
... dramatic elements Sonnets 10 : 155 , 182 , 240 , 251 , 283 , 367 Venus and Adonis 10 : 459 , 462 , 486 dramatic shortcomings or failure As You Like It 5 : 19 , 42 , 52 , 61 , 65 Love's Labour's Lost 2 : 299 , 301 , 303 , 322 Romeo and ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York