Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 67
... court and his subversion of its outdated values appear as legitimate in so far as they enable him to defeat the general counterfeiting and to gain recogni- tion for his flawed title . But at the same time Shakespeare obliquely ...
... court and his subversion of its outdated values appear as legitimate in so far as they enable him to defeat the general counterfeiting and to gain recogni- tion for his flawed title . But at the same time Shakespeare obliquely ...
Seite 343
... ( court case # 2055 ) . " For information about the court system and the justices of the peace , see J. S. Cockburn , A History of the English Assizes 1558-1714 ( Cambridge : Cam- bridge Univ . Press , 1972 ) , 1-11 , 153-87 , 219-37 ...
... ( court case # 2055 ) . " For information about the court system and the justices of the peace , see J. S. Cockburn , A History of the English Assizes 1558-1714 ( Cambridge : Cam- bridge Univ . Press , 1972 ) , 1-11 , 153-87 , 219-37 ...
Seite 352
... court , and later , the grand procession of the Queen and her Order . In other words , the popular audience received the play itself as a thing produced for the court and , accordingly , went to the theater to see what the court saw ...
... court , and later , the grand procession of the Queen and her Order . In other words , the popular audience received the play itself as a thing produced for the court and , accordingly , went to the theater to see what the court saw ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York