Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 129
... audience - even that they are laughable.47 The problems are those of the critics , however . The audience is unaware of them . We have to remember only Macbeth , if not Antony and Cleopatra themselves , to realize that dramatic sympathy ...
... audience - even that they are laughable.47 The problems are those of the critics , however . The audience is unaware of them . We have to remember only Macbeth , if not Antony and Cleopatra themselves , to realize that dramatic sympathy ...
Seite 352
... audience played at being in attendance at an official , court production . The production would have come " smelling so sweetly " from the private hall , carrying the scent of " musk " into the public play- house . What the public audience ...
... audience played at being in attendance at an official , court production . The production would have come " smelling so sweetly " from the private hall , carrying the scent of " musk " into the public play- house . What the public audience ...
Seite 432
... audience perception , Shakespeare's manipulation of The Winter's Tale 7 : 394 , 429 , 456 , 483 , 501 ; 13 : 417 ; 19 : 401 , 431 , 441 ; 25 : 339 ; 45 : 374 audience perspective All's Well That Ends Well 7 : 81 , 104 , 109 , 116 , 121 ...
... audience perception , Shakespeare's manipulation of The Winter's Tale 7 : 394 , 429 , 456 , 483 , 501 ; 13 : 417 ; 19 : 401 , 431 , 441 ; 25 : 339 ; 45 : 374 audience perspective All's Well That Ends Well 7 : 81 , 104 , 109 , 116 , 121 ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York