Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 148
... Univ . Press , 1985 ) , ch . 6 . 10 The phrase is Coleridge's ; see Coleridge's Shake- speare Criticism , ed . Thomas Middleton Raysor , 2 vols . ( Cambridge , Mass .: Harvard Univ . Press , 1930 ) , 1:86 . " Adelman discusses patterns ...
... Univ . Press , 1985 ) , ch . 6 . 10 The phrase is Coleridge's ; see Coleridge's Shake- speare Criticism , ed . Thomas Middleton Raysor , 2 vols . ( Cambridge , Mass .: Harvard Univ . Press , 1930 ) , 1:86 . " Adelman discusses patterns ...
Seite 173
... Univ . Press , 1941 ) , p . 286 . 6 A. C. Bradley , Shakespearean Tragedy ( 1904 ; rpt . New York : Fawcett World Library , 1965 ) , p . 23 . 7 About this kind of accident of timing , Susan Snyder observes that " Too late is not in the ...
... Univ . Press , 1941 ) , p . 286 . 6 A. C. Bradley , Shakespearean Tragedy ( 1904 ; rpt . New York : Fawcett World Library , 1965 ) , p . 23 . 7 About this kind of accident of timing , Susan Snyder observes that " Too late is not in the ...
Seite 343
... Univ . Press , 1972 ) , 1-11 , 153-87 , 219-37 ; T. C. Curtis , " Quarter Sessions Appearances and their Background : A Seventeenth - Century Regional Study , " in Crime in England 1550-1800 , ed . Cockburn ( Lon- don : Methuen , 1977 ) ...
... Univ . Press , 1972 ) , 1-11 , 153-87 , 219-37 ; T. C. Curtis , " Quarter Sessions Appearances and their Background : A Seventeenth - Century Regional Study , " in Crime in England 1550-1800 , ed . Cockburn ( Lon- don : Methuen , 1977 ) ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York