Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... Studies / Société Canadienne d'Etudes de la Renaissance . Reproduced by permission . - Renaissance Drama , v . XX , 1990. Copyright © 1990 by Northwestern University Press . All rights reserved . Reproduced by permission ...
... Studies / Société Canadienne d'Etudes de la Renaissance . Reproduced by permission . - Renaissance Drama , v . XX , 1990. Copyright © 1990 by Northwestern University Press . All rights reserved . Reproduced by permission ...
Seite 123
... Studies in Sidney , Shakespeare , Beaumont , and Fletcher . Lon- don : Faber , 1952 . Dowden , Edward . Shakespere : A Critical Study of His Mind and Art . London : Harper , 1918 . Fitz , L. T. " Egyptian Queens and Male Reviewers ...
... Studies in Sidney , Shakespeare , Beaumont , and Fletcher . Lon- don : Faber , 1952 . Dowden , Edward . Shakespere : A Critical Study of His Mind and Art . London : Harper , 1918 . Fitz , L. T. " Egyptian Queens and Male Reviewers ...
Seite 204
... Studies the implications of the remark made in IV.iii that the god Hercules " whom Antony lov'd , / Now leaves him ” ( 11.15-16 ) , suggesting that the comment is significant , but not in the sense that it refers to any supernatural ...
... Studies the implications of the remark made in IV.iii that the god Hercules " whom Antony lov'd , / Now leaves him ” ( 11.15-16 ) , suggesting that the comment is significant , but not in the sense that it refers to any supernatural ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York