Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 118
... Roman myth of a stable and unified male subject . From the opening scene , it is apparent that in Roman eyes Antony's image as a warrior , and as a Roman , becomes diffuse in his moments as lover . Seeing him with the Egyptian queen ...
... Roman myth of a stable and unified male subject . From the opening scene , it is apparent that in Roman eyes Antony's image as a warrior , and as a Roman , becomes diffuse in his moments as lover . Seeing him with the Egyptian queen ...
Seite 153
Michelle Lee. comic world of romance . At the same time , Roman thoughts elevate , rather flatteringly , the importance of Antony's manly , individual Roman self . The ever- breeding female who brings forth life without male assistance ...
Michelle Lee. comic world of romance . At the same time , Roman thoughts elevate , rather flatteringly , the importance of Antony's manly , individual Roman self . The ever- breeding female who brings forth life without male assistance ...
Seite 271
... Roman , Roman and British by turn , in a series of chiastic exchanges that finally make him the play's primary combination of both . " Commentators on the play have pointed out his combination of " Roman " and " British ...
... Roman , Roman and British by turn , in a series of chiastic exchanges that finally make him the play's primary combination of both . " Commentators on the play have pointed out his combination of " Roman " and " British ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York