Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 16
... Richard . Sometimes language is declared to be inadequate : Lady Anne , as if to transcend speech , stops Richard's seductive words by spitting , and later Richard attempts to silence his irrepressible mother by commanding his army band ...
... Richard . Sometimes language is declared to be inadequate : Lady Anne , as if to transcend speech , stops Richard's seductive words by spitting , and later Richard attempts to silence his irrepressible mother by commanding his army band ...
Seite 407
... Richard F. Henry V 22 : 137 Julius Caesar 22 : 137 Kingship ( topic entry ) 39 : 45 The Merry Wives of Windsor 5 : 390 Richard II 22 : 137 Harding , D. W. Shakespeare's Representation of Women ( topic entry ) 31 : 16 Haring - Smith ...
... Richard F. Henry V 22 : 137 Julius Caesar 22 : 137 Kingship ( topic entry ) 39 : 45 The Merry Wives of Windsor 5 : 390 Richard II 22 : 137 Harding , D. W. Shakespeare's Representation of Women ( topic entry ) 31 : 16 Haring - Smith ...
Seite 420
Michelle Lee. Richardson , Ian Richard II 24 : 346 Richardson , Jack Richard III 14 : 471 Richardson , Ralph A Midsummer Night's Dream 12 : 284 Richardson , William As You Like It 5 : 20 Hamlet 1 : 88 Henry IV , 1 and 2 1 : 307 King Lear ...
Michelle Lee. Richardson , Ian Richard II 24 : 346 Richardson , Jack Richard III 14 : 471 Richardson , Ralph A Midsummer Night's Dream 12 : 284 Richardson , William As You Like It 5 : 20 Hamlet 1 : 88 Henry IV , 1 and 2 1 : 307 King Lear ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York