Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 82
... Pompey is quite certain that he knows the lovers and can judge them ; and his judgment seems intended to persuade us that he is right . His great condemnation of the lovers is frequently cited as though it were Shakespeare's own ...
... Pompey is quite certain that he knows the lovers and can judge them ; and his judgment seems intended to persuade us that he is right . His great condemnation of the lovers is frequently cited as though it were Shakespeare's own ...
Seite 156
... Pompey is loved because he is lacked ; he is lacked because his fortunes have ebbed ; his for- tunes have ebbed because he is worthless . Caesar's is an objective vision : he refuses to identify with the world outside his mind and ...
... Pompey is loved because he is lacked ; he is lacked because his fortunes have ebbed ; his for- tunes have ebbed because he is worthless . Caesar's is an objective vision : he refuses to identify with the world outside his mind and ...
Seite 198
... Pompey . As I have already noted , she styles him as a Narcissus staring at and erotically aroused by his own misrecognized reflection : great Pompey Would stand and make his eyes grow in my brow , There would he anchor his aspect , and ...
... Pompey . As I have already noted , she styles him as a Narcissus staring at and erotically aroused by his own misrecognized reflection : great Pompey Would stand and make his eyes grow in my brow , There would he anchor his aspect , and ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York