Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 80
... Enobarbus then asks Antony directly : " What mean you , sir , / To give them this discomfort ? " ( lines 33-34 ) . Antony immediately denies that he meant his words as Enobarbus and the servants have taken them : Ho , ho , ho ! Now the ...
... Enobarbus then asks Antony directly : " What mean you , sir , / To give them this discomfort ? " ( lines 33-34 ) . Antony immediately denies that he meant his words as Enobarbus and the servants have taken them : Ho , ho , ho ! Now the ...
Seite 133
... Enobarbus ' ditch is a punishment for an ignoble choice . This ignominy , then , contrasts with the nobility ( V , ii , 284 ) and majesty ( V , ii , 279 ) of Cleopatra's death , and the contrast dramatically and deliberately comments on ...
... Enobarbus ' ditch is a punishment for an ignoble choice . This ignominy , then , contrasts with the nobility ( V , ii , 284 ) and majesty ( V , ii , 279 ) of Cleopatra's death , and the contrast dramatically and deliberately comments on ...
Seite 160
... Enobarbus at his death scene broaches the new mode of Petrarchan lyric : O sovereign mistress of true melancholy , The poisonous damp of night disponge upon me , That life , a very rebel to my will , May hang no longer on me . Throw my ...
... Enobarbus at his death scene broaches the new mode of Petrarchan lyric : O sovereign mistress of true melancholy , The poisonous damp of night disponge upon me , That life , a very rebel to my will , May hang no longer on me . Throw my ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York