Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 131
... Caesar behave toward Lepidus also directs our sympa- thy toward Antony and away from Caesar . Because Antony frets That Lepidus of the triumvirate Should be depos'd , and being , that we detain All his revenue , ( III , vi , 27-30 ) he ...
... Caesar behave toward Lepidus also directs our sympa- thy toward Antony and away from Caesar . Because Antony frets That Lepidus of the triumvirate Should be depos'd , and being , that we detain All his revenue , ( III , vi , 27-30 ) he ...
Seite 156
... Caesar to deny the individuality and humanity of the populace . He emphasizes inert , bodily qualities in the body poli- tic : it is mindless , whorish , passive , determined by pro- cesses outside itself , and rotten . Like the ...
... Caesar to deny the individuality and humanity of the populace . He emphasizes inert , bodily qualities in the body poli- tic : it is mindless , whorish , passive , determined by pro- cesses outside itself , and rotten . Like the ...
Seite 162
... Caesar's camp , the camp of detach- ment , is associated with the deserters who detach them- selves from Antony ; they take the vanguard of Caesar's army . Caesar remains aloof even from his own sol- diers , and his cause is associated ...
... Caesar's camp , the camp of detach- ment , is associated with the deserters who detach them- selves from Antony ; they take the vanguard of Caesar's army . Caesar remains aloof even from his own sol- diers , and his cause is associated ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York