Forms of Feeling in Victorian FictionP. Owen, 1985 - 215 Seiten This analysis of themes and conventions in the major Victorian novel pays particular attention to the novelist’s self-conscious use of art as moral and psychological inquiry. Dickens, Thackeray, the Brontes, and George Eliot are just some of the authors who are discussed in depth. |
Inhalt
Acknowledgements | 8 |
Some PreVictorian | 19 |
1 The Passions Surfaces and Depths 4305 78 | 45 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action affective allegory analysis analytic anguish appears Barry Barry Lyndon Barry's Bleak House Chapter character Charlotte Brontë Clarissa comic conflict consciousness dangerous Daniel Deronda dark death Dickens Dickens's Dombey Dorothea dramatized dread Emily Brontë emotional episode Esmond experience expressed eyes fancy fear feeling felt fiction George Eliot Gwendolen Gwendolen Harleth Hardy Hardy's heart Heathcliff Ibid imagery imagination inner intense ironic irony Isabel Jane Austen Jane Eyre Jane's jealousy language letter Little Dorrit look Lucy lyrical marks melancholy metaphor Middlemarch mind moral move narrative narrator narrator's nature never nostalgia novel pain particularized passion pathos personification pity present reader reason refusal remorse representation response rhetoric Roderick Hudson Rowland scene seemed sense sentimental shows Sikes Smike soul story strong style symbolic sympathy tells terror Tess Thackeray Thackeray's things thought Trumpet-Major Vanity Fair Victorian novelists Villette vision words Wuthering Heights