The Influence of Art on Description in the Poetry of P. Papinius StatiusJ.H. Furst Company, 1914 - 103 Seiten |
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Seite 2
... turn that was quite unique . Critics have given Statius credit for very little originality , at least in his Thebaid . His principal sources are given as Homer ( see Schol . ad Theb . 3. 407 : but Wilamowitz , Lese- früchte , Hermes 34 ...
... turn that was quite unique . Critics have given Statius credit for very little originality , at least in his Thebaid . His principal sources are given as Homer ( see Schol . ad Theb . 3. 407 : but Wilamowitz , Lese- früchte , Hermes 34 ...
Seite 3
... turns from the particular thing he is describing and places before the reader a conven- tional picture , which he seems to consider the embodiment of the object before him : so that the reader turns from the poet's description , not ...
... turns from the particular thing he is describing and places before the reader a conven- tional picture , which he seems to consider the embodiment of the object before him : so that the reader turns from the poet's description , not ...
Seite 10
... turn that was quite unique . Critics have given Statius credit for very little originality , at least in his Thebaid . His principal sources are given as Homer ( see Schol . ad Theb . 3. 407 : but Wilamowitz , Lese- früchte , Hermes 34 ...
... turn that was quite unique . Critics have given Statius credit for very little originality , at least in his Thebaid . His principal sources are given as Homer ( see Schol . ad Theb . 3. 407 : but Wilamowitz , Lese- früchte , Hermes 34 ...
Seite 11
... turns from the particular thing he is describing and places before the reader a conven- tional picture , which he seems to consider the embodiment of the object before him : so that the reader turns from the poet's description , not ...
... turns from the particular thing he is describing and places before the reader a conven- tional picture , which he seems to consider the embodiment of the object before him : so that the reader turns from the poet's description , not ...
Seite 15
... turns to the passage in the Iliad which deals with the same incident . Here , one may ven- ture to say , we find the original of this natural touch , though it may not be easy to see that the whole conception originates with Homer . An ...
... turns to the passage in the Iliad which deals with the same incident . Here , one may ven- ture to say , we find the original of this natural touch , though it may not be easy to see that the whole conception originates with Homer . An ...
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Häufige Begriffe und Wortgruppen
Achilles Adrastus Alexandrian Apollo Apollonius of Rhodes Argive arma atque beauty Capaneus compared comparison concilium deorum conventional Crenaeus describes Diana Dido dolphin draws epic Eteocles Euripides Euripides passage fear fight Frag fresco Fury given gives goddess gods heaven Hecate Heracles hero Hippomedon Homer Horae horror Iliad imitation Iphicles ipse Ismenis Ismenus Jove Lactantius Laocoön Legras lonius Lycomedes ment mother motif natural touch nunc nymphs Olympus Ovid painter painting palace Palaemon passage cited pater peintres picture Pindar plastic art poem poet poet's poètes poetry Polymetis pressere ad pectora Propempticon pugnae quam reclined representations river Rutuli says sculpture seen sidera Silvae simile Sleep sound Spence Stace Statius Statius passage suggested tendency terque Theb Thebaid Thebes theme Theocritus tion tradition treatment ture Tydeus Valerius Flaccus Vergil Vergil passage vultu Zeus δὲ ἐπ καὶ μὲν τε ὡς
Beliebte Passagen
Seite 62 - Vipereum crinem vittis innexa cruentis. In medio ramos annosaque brachia pandit Ulmus opaca, ingens, quam sedem Somnia vulgo Vana tenere ferunt, foliisque sub omnibus haerent.
Seite 84 - Qualis in Eurotae ripis aut per iuga Cynthi exercet Diana choros, quam mille secutae hinc atque hinc glomerantur Oreades, illa pharetram 500 fert umero gradiensque deas supereminet omnis (Latonae tacitum pertemptant gaudia pectus); talis erat Dido, talem se laeta ferebat per medios instans operi regnisque futuris.
Seite 82 - Qualis ubi hibernam Lyciam Xanthique fluenta deserit ac Delum maternam invisit Apollo...
Seite 33 - Phaethon miratur, opusque perspicit, ecce vigil rutilo patefecit ab ortu purpureas Aurora fores et plena rosarum atria ; diffugiunt stellae, quarum agmina cogit Lucifer, et caeli statione novissimus exit.
Seite 61 - Quo simul intravit manibusque obstantia virgo somnia dimovit, vestis fulgore reluxit sacra domus, tardaque deus gravitate iacentes vix oculos tollens...
Seite 50 - Tum demum praeceps saltu sese omnibus armis 815 in fluvium dedit : ille suo cum gurgite flavo accepit venientem ac mollibus extulit undis et laetum sociis abluta caede remisit.
Seite 75 - Poenorum qualis in arvis. saucius ille gravi venantum volnere pectus, 5 tum demum movet arma leo, gaudetque comantis excutiens cervice toros fixumque latronis impavidus frangit telum et fremit ore cruento : haud secus accenso gliscit violentia Turno.
Seite 61 - ... at medio torus est ebeno sublimis in antro, 610 plumeus, unicolor, pullo velamine tectus ; quo cubat ipse deus membris languore solutis.
Seite 52 - Caput a cervice revulsum, Gurgite cum medio, portans Oeagrius Hebrus Volveret, Eurydicen vox ipsa, et frigida lingua, Ah! miseram Eurydicen! anima fugiente vocabat, Eurydicen toto referebant flumine ripae.
Seite 61 - Est prope Cimmerios longo spelunca recessu, mons cavus, ignavi domus et penetralia Somni, quo numquam radiis oriens mediusve cadensve Phoebus adire potest : nebulae caligine mixtae 595 exhalantur humo dubiaeque crepuscula lucis.