The Influence of Art on Description in the Poetry of P. Papinius StatiusJ.H. Furst Company, 1914 - 103 Seiten |
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Seite 14
... least . Forbiger ( on Aen . 7. 518 , et trepidae matres pressere ad pectora natos ) says that undoubt- edly the lines in the Epit . Iliad .: parvumque ad pectora natum Astyanacta tenet ( vid . infra 14 The Influence of Art on Description.
... least . Forbiger ( on Aen . 7. 518 , et trepidae matres pressere ad pectora natos ) says that undoubt- edly the lines in the Epit . Iliad .: parvumque ad pectora natum Astyanacta tenet ( vid . infra 14 The Influence of Art on Description.
Seite 15
... Iliad which deals with the same incident . Here , one may ven- ture to say , we find the original of this natural touch , though it may not be easy to see that the whole conception originates with Homer . An examination of the passage ...
... Iliad which deals with the same incident . Here , one may ven- ture to say , we find the original of this natural touch , though it may not be easy to see that the whole conception originates with Homer . An examination of the passage ...
Seite 17
... Iliad and the Theocritus passage , is not the cause of alarm but the simple and natural treatment of this motif of motherly affection and apprehension . Both passages serve the purpose of contrast- ing the treatment given it by authors ...
... Iliad and the Theocritus passage , is not the cause of alarm but the simple and natural treatment of this motif of motherly affection and apprehension . Both passages serve the purpose of contrast- ing the treatment given it by authors ...
Seite 22
... Iliad . ( 509 ) to the passage in Virgil cited ( but see the discussion in this paper on Iliad 6. 466 ff . ) The incident in the Epit . Iliad . is the meeting of Andromache and Hector : " Meanwhile Ares with mighty strength slays Akamas ...
... Iliad . ( 509 ) to the passage in Virgil cited ( but see the discussion in this paper on Iliad 6. 466 ff . ) The incident in the Epit . Iliad . is the meeting of Andromache and Hector : " Meanwhile Ares with mighty strength slays Akamas ...
Seite 23
... Iliad the touch of natural affection is beautiful . The noise of battle in the distance makes the mother apprehen- sive of the fate that may befall her child , and with a mother's instinct she grasps him and presses him to her breast ...
... Iliad the touch of natural affection is beautiful . The noise of battle in the distance makes the mother apprehen- sive of the fate that may befall her child , and with a mother's instinct she grasps him and presses him to her breast ...
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Häufige Begriffe und Wortgruppen
Achilles Adrastus Alexandrian Apollo Apollonius of Rhodes Argive arma atque beauty Capaneus compared comparison concilium deorum conventional Crenaeus describes Diana Dido dolphin draws epic Eteocles Euripides Euripides passage fear fight Frag fresco Fury given gives goddess gods heaven Hecate Heracles hero Hippomedon Homer Horae horror Iliad imitation Iphicles ipse Ismenis Ismenus Jove Lactantius Laocoön Legras lonius Lycomedes ment mother motif natural touch nunc nymphs Olympus Ovid painter painting palace Palaemon passage cited pater peintres picture Pindar plastic art poem poet poet's poètes poetry Polymetis pressere ad pectora Propempticon pugnae quam reclined representations river Rutuli says sculpture seen sidera Silvae simile Sleep sound Spence Stace Statius Statius passage suggested tendency terque Theb Thebaid Thebes theme Theocritus tion tradition treatment ture Tydeus Valerius Flaccus Vergil Vergil passage vultu Zeus δὲ ἐπ καὶ μὲν τε ὡς
Beliebte Passagen
Seite 62 - Vipereum crinem vittis innexa cruentis. In medio ramos annosaque brachia pandit Ulmus opaca, ingens, quam sedem Somnia vulgo Vana tenere ferunt, foliisque sub omnibus haerent.
Seite 84 - Qualis in Eurotae ripis aut per iuga Cynthi exercet Diana choros, quam mille secutae hinc atque hinc glomerantur Oreades, illa pharetram 500 fert umero gradiensque deas supereminet omnis (Latonae tacitum pertemptant gaudia pectus); talis erat Dido, talem se laeta ferebat per medios instans operi regnisque futuris.
Seite 82 - Qualis ubi hibernam Lyciam Xanthique fluenta deserit ac Delum maternam invisit Apollo...
Seite 33 - Phaethon miratur, opusque perspicit, ecce vigil rutilo patefecit ab ortu purpureas Aurora fores et plena rosarum atria ; diffugiunt stellae, quarum agmina cogit Lucifer, et caeli statione novissimus exit.
Seite 61 - Quo simul intravit manibusque obstantia virgo somnia dimovit, vestis fulgore reluxit sacra domus, tardaque deus gravitate iacentes vix oculos tollens...
Seite 50 - Tum demum praeceps saltu sese omnibus armis 815 in fluvium dedit : ille suo cum gurgite flavo accepit venientem ac mollibus extulit undis et laetum sociis abluta caede remisit.
Seite 75 - Poenorum qualis in arvis. saucius ille gravi venantum volnere pectus, 5 tum demum movet arma leo, gaudetque comantis excutiens cervice toros fixumque latronis impavidus frangit telum et fremit ore cruento : haud secus accenso gliscit violentia Turno.
Seite 61 - ... at medio torus est ebeno sublimis in antro, 610 plumeus, unicolor, pullo velamine tectus ; quo cubat ipse deus membris languore solutis.
Seite 52 - Caput a cervice revulsum, Gurgite cum medio, portans Oeagrius Hebrus Volveret, Eurydicen vox ipsa, et frigida lingua, Ah! miseram Eurydicen! anima fugiente vocabat, Eurydicen toto referebant flumine ripae.
Seite 61 - Est prope Cimmerios longo spelunca recessu, mons cavus, ignavi domus et penetralia Somni, quo numquam radiis oriens mediusve cadensve Phoebus adire potest : nebulae caligine mixtae 595 exhalantur humo dubiaeque crepuscula lucis.