Shakespearean CriticismDana Ramel Barnes Cengage Gale, 1997 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 78
... follows those scenes . Before Viola leaves the Duke to woo Olivia on his behalf , Valentine , noting how fond the Duke has become of his new page , draws her attention to the fact that " he [ the Duke ] hath known you but three days ...
... follows those scenes . Before Viola leaves the Duke to woo Olivia on his behalf , Valentine , noting how fond the Duke has become of his new page , draws her attention to the fact that " he [ the Duke ] hath known you but three days ...
Seite 253
... follows the " To be or not to be " soliloquy is also paralleled in the scene with his mother that follows the prayer scene . Comparison of Hamlet's bitter attacks on Ophelia and Gertrude strengthens the impression that his disposition ...
... follows the " To be or not to be " soliloquy is also paralleled in the scene with his mother that follows the prayer scene . Comparison of Hamlet's bitter attacks on Ophelia and Gertrude strengthens the impression that his disposition ...
Seite 294
... follows interest when it does not follow per- suasion . 28 Seyla Benhabib's compelling Situating the Self : Gender , Community , and Postmodernism in Contem- porary Ethics ( New York : Routledge , 1992 ) , works towards salvaging the ...
... follows interest when it does not follow per- suasion . 28 Seyla Benhabib's compelling Situating the Self : Gender , Community , and Postmodernism in Contem- porary Ethics ( New York : Routledge , 1992 ) , works towards salvaging the ...
Inhalt
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York