Shakespearean CriticismDana Ramel Barnes Cengage Gale, 1997 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... dramatic practice at once in its narra- tive , poetic and social dimensions , and that the conclu- sion of the work turns to the dramatic dynamic of wonder in order to enact Shakespeare's own recognition of his practice . In order to ...
... dramatic practice at once in its narra- tive , poetic and social dimensions , and that the conclu- sion of the work turns to the dramatic dynamic of wonder in order to enact Shakespeare's own recognition of his practice . In order to ...
Seite 41
... dramatic irony , semantically and syntactically unstable , invariably refracting the imagery and thematic concerns of the " high " language of the plays . But beyond the obvious political themes in their language , the most political ...
... dramatic irony , semantically and syntactically unstable , invariably refracting the imagery and thematic concerns of the " high " language of the plays . But beyond the obvious political themes in their language , the most political ...
Seite 290
... dramatic situation , this might well be a textbook discussion of the force and neces- sity of collective rules . " 33 But the third citizen's speech is precisely a demand for a " dramatic situation " in which Coriolanus and the citizens ...
... dramatic situation , this might well be a textbook discussion of the force and neces- sity of collective rules . " 33 But the third citizen's speech is precisely a demand for a " dramatic situation " in which Coriolanus and the citizens ...
Inhalt
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York