Shakespearean CriticismDana Ramel Barnes Cengage Gale, 1997 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 241
... character , Hamlet is regarded as psychologically incoherent , and humanist critics are said to project onto the inscription of this character the notions of inwardness and an essential self which were fully developed only in the ...
... character , Hamlet is regarded as psychologically incoherent , and humanist critics are said to project onto the inscription of this character the notions of inwardness and an essential self which were fully developed only in the ...
Seite 264
... character and his habits , relate to each other in com- plex and dynamically variable ways as he responds to - his changing circumstances . Moreover , if the analysis here has been persuasive , it will be clear that to re- spond to ...
... character and his habits , relate to each other in com- plex and dynamically variable ways as he responds to - his changing circumstances . Moreover , if the analysis here has been persuasive , it will be clear that to re- spond to ...
Seite 277
... Characters : Rhetoric , Ethics , and Identity ( Amherst , 1992 ) ; Alan Sinfield , ' When Is a Character Not a Character ? Desdemona , Olivia , Lady Macbeth , and Subjectivity ' , in Faultlines : Cultural Materialism and the Politics of ...
... Characters : Rhetoric , Ethics , and Identity ( Amherst , 1992 ) ; Alan Sinfield , ' When Is a Character Not a Character ? Desdemona , Olivia , Lady Macbeth , and Subjectivity ' , in Faultlines : Cultural Materialism and the Politics of ...
Inhalt
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York