py people, if they wish to be respected and beloved by others, and happy in themselves, they should leave off look ing at the ugly leg.

CONVERSATION

OF A COMPANY OF EPHEMERÆ; WITH A SOLILOQUY OF ONE ADVANCED IN AGE.

TO MADAME BRILLIANT.

You may remember, my dear friend, that when we lately spent that happy day, in the delightful garden and sweet society of the Moulin Joly, I stopt a little in one of our walks, and staid some time behind the company. We had been shown numberless skeletons of a kind of little fly, called an Ephemera, whose successive generations, we were told, were bred and expired within the day. I happened to see a living company of them on a leaf, who appeared to be engaged in conversation. You know I un

derstand all the inferior animal tongues; my too great application to the study of them is the best excuse I can give for the little progress I have made in your charming language. I listened through curiosity to the discourse of these Jittle creatures; but as they, in their national vivacity, spoke three or four together, I could make but little of their conversation. I found, however, by some broken expressions that I heard now and then, they were disputing warmly on the merit of two foreign musicians, one a cousin, the other a moscheto; in which dispute they spent their time, seeming as regardless of the shortness of their life as if they had been sure of living a month. Happy people, thought I, you live certainly under a wise, just, and mild government, since you have no public grievances to complain of, nor any other subject of contention but the perfections or imperfections of foreign music. I turned my head from them to an old gray-headed one, who was single on another leaf, and talking to himself. Being amused with his soliloquy, I put it down in writing, in hopes it will likewise amuse her to whom I am so much indebted for the most pleasing of all amusements, her delicious company and heavenly harmony.

"It was," says he, "the opinion of learned philosophers of our race, who lived and flourished long before my time, that this vast world, the Moulin Joly, could not itself subsist more than eighteen hours: and I think there was some foundation for that opinion; since, by the apparent motion of the great luminary, that gives life to all nature, and which in my time has evidently declined considerably to wards the ocean at the end of the earth, it must then finish its course, be extinguished in the waters that surround us, and leave the world in cold and darkness, necessarily producing universal death and destruction. I have lived seven of those hours; a great age, being no less than four hundred and twenty minutes of time! How very few of us continue so long! I have seen generations born, flourish, and expire. My present friends are the children and grandchildren of the friends of my youth, who are now, alas, no more! And I must soon follow them; for, by the common course of nature, though still in health, I cannot expect to live above seven or eight minutes longer. What now avails all my toil and labor, in amassing honey-dew on this leaf, which I cannot live to enjoy. What my political struggles I have been engaged in, for the good of my compatriot inhabitants of this bush, or iny philosophical studies, for the benefit of our race in general: for in politics (what can laws do without morals?) our present race of ephemera will in a course of minutes become corrupt, like those of other and older bushes, and consequently as wretched! And in philosophy how small our progress. Alas! art is long, and life is short! My friends would comfort me with the idea of a name, they say, I shall leave behind me; and they tell me I have lived long enough to nature and to glory. But what will fame be to an ephemera who no longer exists? and what will become of all history in the eighteenth hour, when the world itself, even the whole Moulin Joly, shall come to its end, and be buried in a universal ruin?"

To me, after all my eager pursuits, no solid pleasures now remain, but the reflection of a long life spent in meaning well, the sensible conversation of a few good lady ephemeræ, and now and then a kind smile and a tune from the ever amiable Brilliant.

B. FRANKLIN.

MORALS OF CHESS.

PLAYING at chess is the most ancient and universal game known among men; for its original is beyond the memory of history, and it has, for numberless ages, been the amusement of all the civilized nations of Asia, the Persians, the Indians, and the Chinese. Europe has had it above a thousand years; the Spaniards have spread it over their part of America, and it begins to make its appearance in these States. It is so interesting in itself as not to need the view of gain to induce engaging in it; and thence it is never played for money. Those, therefore, who have leisure for such diversions, cannot find one that is more innocent; and the following piece, written with a view to correct (among a few young friends) some little improprieties in the practice of it, shows, at the same time, that it may, in its effects on the mind, be not merely innocent, but advantageous, to the vanquished as well as the victor.

The game of chess is not merely an idle amusement. Several very valuable qualities of the nind, useful in the .course of human life, are to be acquired or strengthened by it, so as to become habits, ready on all occasions. For life is a kind of chess, in which we have points to gain, and competitors or adversaries to contend with, and in which there is a vast variety of good and ill events, that are, in some degree, the effects of prudence or the want of it. By playing at chess then, we learn,

1. Foresight, which looks a little into futurity, considers the consequences that may attend an action: for it is continually occurring to the player, "If I move this piece, what will be the advantage of my new situation? What use can my adversary make of it to annoy me? What other moves can I make to support it, and to defend myself from his attacks?"

II. Circumspection, which surveys the whole chessboard, or scene of action, the relations of the several pieces and situations, the dangers they are respectively exposed to, the several possibilities of their aiding each other, the probabilities that the adversary may take this or that move, and attack this or the other piece, and what different means

can be used to avoid his stroke, or turn its consequences against him.

III. Caution, not to make our moves too hastily. This habit is best acquired by observing strictly the laws of the game, such as, "If you touch a piece, you must move it somewhere; if you set it down, you must let it sand:" and it is therefore best that these rules should be observed; as the game thereby becomes more the image of human life, and particularly of war; in which, if you have incautiously put yourself into a bad and dangerous position, you cannot obtain your enemy's leave to withdraw your troops, and place them more securely, but you must abide all the con sequences of your rashness.

And, lastly, we learn by chess the habit of not being discouraged by present bad appearances in the state of our affairs, the habit of hoping for a favorable change, and that of persevering in the search of resources. The game is so full of events, there is such a variety of turns in it, the fortune of it is so subject to sudden vicissitudes, and one so frequently, after long contemplation, discovers the means of extricating one's self from a supposed insurmountable difficulty, that one is encouraged to continue the contest to the last, in hope of victory by our own skill, or at least of giving a stale mate, by the negligence of our adversary. And whoever considers, what in chess he often sees instances of, that particular pieces of success are apt to produce presumption, and its consequent inattention, by which the loss may be recovered, will learn not to be too much discouraged by the present success of his adversary, nor to despair of final good fortune, upon every little check he receives in the pursuit of it.

That we may, therefore, be induced more frequently to choose this beneficial amusement, in preference to others, which are not attended with the same advantages, every circumstance which may increase the pleasure of it should be regarded; and every action or word that is unfair, disrespectful, or that in any way may give uneasiness, should be avoided, as contrary to the immediate intention of both the players, which is to pass the time agreeably.

Therefore, first, If it is agreed to play according to the strict rules, then those rules are to be exactly observed by

both parties, and should not be insisted on for one side, while deviated from by the other--for this is not equitable.

Secondly, If it is agreed not to observe the rules exactly, but one party demands indulgences, he should then be as willing to allow them to the other.

Thirdy, No false move should ever be made to extricate yourself out of a difficulty, or to gain an advantage. There can be no pleasure in playing with a person once detected in such unfair practices.

Fourthly, If your adversary is long in playing, you ought not to hurry him, or to express any uneasiness at his delay. You should not sing, nor whistle, nor look at your watch, nor take up a book to read, nor make a tapping with your feet on the floor, or with your fingers on the table, nor do any thing that may disturb his attention. For all these things displease; and they do not show your skill in playing, but your craftiness or your rudeness.

Fifthly, You ought not to endeavor to amuse and deceive your adversary, by pretending to have made bad moves, and saying that you have now lost the gaine, in order to make him secure and careless, and inattentive to your schemes; for this is fraud and deceit, not skill in the game.

Sixthly, You must not, when you have gained a victory, use any triumphing or insulting expression, nor show too much pleasure; but endeavor to console your adversary, and make him less dissatisfied with himself, by every kind of civil expression that may be used with truth; such as, "You understand the game better than I, but you are a little inattentive; or, you play too fast; or, you had the best of the game, but something happened to divert your thoughts, and that turned it in my favor."

Seventhly, If you are a spectator while others play, observe the most perfect silence. For if you give advice, you offend both parties; him against whom you give it, because it may cause the loss of his game; and him, in whose favor you give it, because, though it be good, and he follows it, he loses the pleasure he might have had, if you had perinitted him to think until it had occurred to himself. Even after a move or moves, you must not, by replacing the pieces, show how it might have been placed better; for that displeases, and may occasion disputes and doubts about their